Sandeep Aur Pinky Faraar is an intriguing mess, feels Sukanya Verma.
'In the lockdown, family viewing became even more important.' 'Kids saw adult content and adults saw a lot of kids content.' 'The audience is no longer just the housewife, but the whole family.'
The Looming Tower reveals the bitter CIA-FBI turf battles that led to the worst terrorist attack in America's history.
Guess who else features on the Variety500 list?
Guilty Minds has too much going on to wolf down it all in one big binge watch session, notes Sukanya Verma.
For all of us who have been through the different challenges of the pandemic, each of the stories will evoke your senses in its own way, notes Divya Nair.
What was the need to fictionalise a series on real events that were far more horrific because they were real? asks Vaihayasi Pande Daniel.
The Rs 19,100 crore 'Indian film industry' is more than its monikers for three simple reasons, feels Vanita Kohli-Khandekar.
Sharmaji Namkeen is Rishi Kapoor's swansong and show. His cinematic memories are coloured in liveliest hues of celebration and happiness, observes Sukanya Verma.
This Mohanlal suspense drama may well go down as yet another modern day classic, raves Joginder Tuteja.
One of the most famous Indian faces on the planet, everything Priyanka Chopra Jonas learned, she learned it on the job.
If everybody is 'working' from home, then how has TV consumption gone up? Who is making all that gourmet food being posted on social media?
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
Modern Love Hyderabad, even though predictable, is interesting in parts and keeps you entertained emotionally, observes Divya Nair.
It is the most potent symbol of India's soft power -- more perhaps than the IT industry and our managerial skill, notes Vanita Kohli-Khandekar
Mobile internet penetration has grown thanks to affordable data costs, investments in content and evolution of monetisation avenues
Rediff.com's Ashish Narsale presents a list of gadgets that will fit your budget and instantly impress your bae.
Is Christmas a good time to release big films?
Even if it wants to censor what you read, watch, or consume, the amount of content online is so huge that it is physically impossible for any government to do it, notes Vanita Kohli-Khandekar.
The device is already great. But its real capabilities will be unleashed after the iOS 11 is rolled out, says Abhik Sen.
'While assisting on Made In Heaven, Ritesh Sidhwani asked me if I had anything I wanted to make.' 'Luckily, I had this script. I was working on the script of Eternally Confused And Eager For Love for four years.' 'Excel pitched the show to Netflix, and that was it!
It's addictive. It's entertaining. It's gorgeous. Once bitten by the K-drama bug, there's no going back.
An individual with a self-learning attitude is critical to surviving and growing in a competitive environment, says Narayan Mahadevan.
'... I didn't have an Instagram account!' 'I was told that the actor who's being considered in my place has a lot of followers, and that will help the producers.'
While Reliance has the clout to negotiate prices with suppliers for its e-commerce, not to forget the cost advantage of integrated warehouse and supply chains, Amazon and Walmart are no pushovers, they too have deep pockets.
Joginder Tuteja looks at the big clashes in the Independence Day weekend in the last decade.
Nikita Puri lists the best shows and films to watch online as you ace social distancing.
Despite all its drawbacks, I was engrossed in Toofaan and the intensity Rakeysh Omprakash Mehra imbues it with for most part, observes Sukanya Verma.
'I don't know whether this curse will be lifted or not. It's in the hands of the audience.'
'Then, one fine morning, I returned to my first love.' 'All the top directors of the time were waiting for me.' 'In one day, I signed 12 films.' 'Prosenjit Chatterjee was back!'
None of the Big Tech companies or tycoons appears to be playing a meaningful role in the testing, spread, cure, or eradication of the virus or even in contact tracing so far, says Prosenjit Datta.
Vidya Balan and Shefali Shah are powerhouse talents and are tailor-made for Jalsa's overwrought premise, notes Sukanya Verma.
'When I meet Raj and DK next, I will force them to tell me!'
'At the end of the day, this is Bachchan's film.' 'Despite the distracting makeup, his famous baritone and indisputable flair for dedicated inanity lend Mirza an air of significance,' observes Sukanya Verma.
'And it always should be.' 'I believe nothing should come easily to anyone because then there is no thrill in it.'
The Family Man is the espionage drama India is waiting to see, raves Karan Sanjay Shah.
'When we were in a room, the only conversation one could have at that time was about the situation that the country was in, the world was in.' 'But the moment the cameras were on, we had to leave all that behind and get on with the show.' 'We had to make it something that everybody wants to watch, laugh, enjoy, and has a good reason to stay home.'
'When I look at my journey in Bollywood, I realise that all of those things were small pieces towards a larger sort of plan, which just had to fall in place the way it did.'
'Having lived through cancer, through so many ups and downs, I'm not particularly attached to attention or success -- it's lovely if it's there, it's fine if it's not.'
